"Forward into Light", 16x20 acrylics on panel, 2018. Following the lead of the iconic suffragist Inez Mullholland a century of women march forward out of fear...
Bouquets of Women, 11x14, oils on canvas, 2017
"The Twelve Steps of Addiction Recovery," Acrylics on Canvas, 2012. Beginning in the center with fists clenching chains then spiraling outwards, the steps are a cyclical & consistent outreach.
"Alive Inside". collage. 2017
"A Circle of Influence." collage, 2017
"Red Shoes Allowed",Dr. Clarissa Pinkola Estes uses the etiological tale “The Red Shoes” as metaphorical instruction on how to create a life that is uniquely your own- “a life made by hand”.
"Mean little cotton bolls." 8x8, acrylics on canvas, 2018. Using a literary reference from Maya Angelou this piece invites an introspection into past grievances, and present hurts.
"A Janurary Bouquet", 12x12, acrylics & oils on canvas, 2016
"Backyard Blues: If I ever go looking for my heart's desire again, I won't look any further than my own back yard.", 11x14, mixed media, 2012
"Grace for Womanhood Warfare." 16x20 Acrylics on Canvas. 2013. An intimate portrayal of female oppression, voyeuring the harsh disfigurment in order to comprehend the potential for disarmament.
"In the Bleak Midwinter". collage. 2017.
"Properly illuminated during hours of darkness", 16x20, acrylics on canvas, 2013
"With a Rebel Yell: diptych I", aerosol & paint on concrete board, 2013
"Birds Eye-View", 16x20, acrylics on canvas, 2012. The aerial view of a prison from the birds-eye-view of the geese that inhabited the grassy courtyards inside the wall of the institution.
"F-BOMBS", 16x20, acrylics & polyurethane on canvas, 2013
"Forward into Light", 16x20 acrylics on panel, 2018. Following the lead of the iconic suffragist Inez Mullholland a century of women march forward out of fear...
Bouquets of Women, 11x14, oils on canvas, 2017
"The Twelve Steps of Addiction Recovery," Acrylics on Canvas, 2012. Beginning in the center with fists clenching chains then spiraling outwards, the steps are a cyclical & consistent outreach.
"Alive Inside". collage. 2017
"A Circle of Influence." collage, 2017
"Red Shoes Allowed",Dr. Clarissa Pinkola Estes uses the etiological tale “The Red Shoes” as metaphorical instruction on how to create a life that is uniquely your own- “a life made by hand”.Dr. Clarissa Pinkola Estes uses the etiological tale “The Red Shoes” as metaphorical instruction on how to create a life that is uniquely your own- “a life made by hand” (1992). This tale warns against both unchallenged conformity and clandestine rebellion, two extremes I vacillated between in my own faith journey of being raised in The Church of Jesus Christ of Latter-Day Saints. These hand-pieced red shoes represent my reconciliatory efforts in reevaluating and reconstructing my faith, my relationship with Christ, my identity, my church membership, my feminism, and my roles as a sister, a woman, a wife, and a mother. This assemblage piece honors the sacred process of self-acceptance and co-creation with my Savior and encourages others to piece together intuition and inspiration in their own creative and unique lives. Estes, C. D. (1992). The women who run with wolves. New York, NY: Ballantine Books
"Mean little cotton bolls." 8x8, acrylics on canvas, 2018. Using a literary reference from Maya Angelou this piece invites an introspection into past grievances, and present hurts.
"A Janurary Bouquet", 12x12, acrylics & oils on canvas, 2016
"Backyard Blues: If I ever go looking for my heart's desire again, I won't look any further than my own back yard.", 11x14, mixed media, 2012
"Grace for Womanhood Warfare." 16x20 Acrylics on Canvas. 2013. An intimate portrayal of female oppression, voyeuring the harsh disfigurment in order to comprehend the potential for disarmament.
"In the Bleak Midwinter". collage. 2017.
"Properly illuminated during hours of darkness", 16x20, acrylics on canvas, 2013A huge flag waving in the breeze behind the trees in the night sky.
"With a Rebel Yell: diptych I", aerosol & paint on concrete board, 2013
"Birds Eye-View", 16x20, acrylics on canvas, 2012. The aerial view of a prison from the birds-eye-view of the geese that inhabited the grassy courtyards inside the wall of the institution.
"F-BOMBS", 16x20, acrylics & polyurethane on canvas, 2013
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